The Swing Era The Development of Jazz 19301945 The History of Jazz Gunther Schuller 9780195071405 Books Visionneuse PDF LLJ

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Here is the book jazz lovers have eagerly awaited, the second volume of Gunther Schuller's monumental The History of Jazz. When the first volume, Early Jazz, appeared two decades ago, it immediately established itself as one of the seminal works on American music. Nat Hentoff called it "a remarkable breakthrough in musical analysis of jazz," and Frank Conroy, in The New York Times Book Review, praised it as "definitive.... A remarkable book by any standard...unparalleled in the literature of jazz." It has been universally recognized as the basic musical analysis of jazz from its beginnings until 1933.
The Swing Era focuses on that extraordinary period in American musical history--1933 to 1945--when jazz was synonymous with America's popular music, its social dances and musical entertainment. The book's thorough scholarship, critical perceptions, and great love and respect for jazz puts this well-remembered era of American music into new and revealing perspective. It examines how the arrangements of Fletcher Henderson and Eddie Sauter--whom Schuller equates with Richard Strauss as "a master of harmonic modulation"--contributed to Benny Goodman's finest work...how Duke Ellington used the highly individualistic trombone trio of Joe "Tricky Sam" Nanton, Juan Tizol, and Lawrence Brown to enrich his elegant compositions...how Billie Holiday developed her horn-like instrumental approach to singing...and how the seminal compositions and arrangements of the long-forgotten John Nesbitt helped shape Swing Era styles through their influence on Gene Gifford and the famous Casa Loma Orchestra. Schuller also provides serious reappraisals of such often neglected jazz figures as Cab Calloway, Henry "Red" Allen, Horace Henderson, Pee Wee Russell, and Joe Mooney.
Much of the book's focus is on the famous swing bands of the time, which were the essence of the Swing Era. There are the great black bands--Duke Ellington, Count Basie, Jimmie Lunceford, Earl Hines, Andy Kirk, and the often superb but little known "territory bands"--and popular white bands like Benny Goodman, Tommy Dorsie, Artie Shaw, and Woody Herman, plus the first serious critical assessment of that most famous of Swing Era bandleaders, Glenn Miller. There are incisive portraits of the great musical soloists--such as Art Tatum, Teddy Wilson, Coleman Hawkins, Lester Young, Bunny Berigan, and Jack Teagarden--and such singers as Billie Holiday, Frank Sinatra, Peggy Lee, and Helen Forest.

Gunther Schuller,The Swing Era The Development of Jazz, 1930-1945 (The History of Jazz),Oxford University Press,0195071409,History Criticism - General,USA,Jazz - 1931-1940 - History and criticism,Jazz - 1941-1950 - History and criticism,Jazz;1931-1940;History and criticism.,Jazz;1941-1950;History and criticism.,Swing (Music) - History and criticism,Swing (Music);History and criticism.,1931-1940,1941-1950,American history from c 1900 -,Ethnic Studies - African American Studies - General,Genres Styles - Jazz,HISTORY / United States / 20th Century,History and criticism,History/United States - 20th Century,Jazz,MUSIC / Genres Styles / Jazz,Music,Music / History Criticism,Music/Songbooks,SOCIAL SCIENCE / Ethnic Studies / African American Studies,Social Science/Ethnic Studies - African American Studies,Swing (Music),United States - 20th Century,Western music periods styles

The Swing Era The Development of Jazz 19301945 The History of Jazz Gunther Schuller 9780195071405 Books Reviews :

Here is the book jazz lovers have eagerly awaited, the second volume of Gunther Schuller's monumental The History of Jazz. When the first volume, Early Jazz, appeared two decades ago, it immediately established itself as one of the seminal works on American music. Nat Hentoff called it "a remarkable breakthrough in musical analysis of jazz," and Frank Conroy, in The New York Times Book Review, praised it as "definitive.... A remarkable book by any standard...unparalleled in the literature of jazz." It has been universally recognized as the basic musical analysis of jazz from its beginnings until 1933.
The Swing Era focuses on that extraordinary period in American musical history--1933 to 1945--when jazz was synonymous with America's popular music, its social dances and musical entertainment. The book's thorough scholarship, critical perceptions, and great love and respect for jazz puts this well-remembered era of American music into new and revealing perspective. It examines how the arrangements of Fletcher Henderson and Eddie Sauter--whom Schuller equates with Richard Strauss as "a master of harmonic modulation"--contributed to Benny Goodman's finest work...how Duke Ellington used the highly individualistic trombone trio of Joe "Tricky Sam" Nanton, Juan Tizol, and Lawrence Brown to enrich his elegant compositions...how Billie Holiday developed her horn-like instrumental approach to singing...and how the seminal compositions and arrangements of the long-forgotten John Nesbitt helped shape Swing Era styles through their influence on Gene Gifford and the famous Casa Loma Orchestra. Schuller also provides serious reappraisals of such often neglected jazz figures as Cab Calloway, Henry "Red" Allen, Horace Henderson, Pee Wee Russell, and Joe Mooney.
Much of the book's focus is on the famous swing bands of the time, which were the essence of the Swing Era. There are the great black bands--Duke Ellington, Count Basie, Jimmie Lunceford, Earl Hines, Andy Kirk, and the often superb but little known "territory bands"--and popular white bands like Benny Goodman, Tommy Dorsie, Artie Shaw, and Woody Herman, plus the first serious critical assessment of that most famous of Swing Era bandleaders, Glenn Miller. There are incisive portraits of the great musical soloists--such as Art Tatum, Teddy Wilson, Coleman Hawkins, Lester Young, Bunny Berigan, and Jack Teagarden--and such singers as Billie Holiday, Frank Sinatra, Peggy Lee, and Helen Forest.

Gunther Schuller,The Swing Era The Development of Jazz, 1930-1945 (The History of Jazz),Oxford University Press,0195071409,History Criticism - General,USA,Jazz - 1931-1940 - History and criticism,Jazz - 1941-1950 - History and criticism,Jazz;1931-1940;History and criticism.,Jazz;1941-1950;History and criticism.,Swing (Music) - History and criticism,Swing (Music);History and criticism.,1931-1940,1941-1950,American history from c 1900 -,Ethnic Studies - African American Studies - General,Genres Styles - Jazz,HISTORY / United States / 20th Century,History and criticism,History/United States - 20th Century,Jazz,MUSIC / Genres Styles / Jazz,Music,Music / History Criticism,Music/Songbooks,SOCIAL SCIENCE / Ethnic Studies / African American Studies,Social Science/Ethnic Studies - African American Studies,Swing (Music),United States - 20th Century,Western music periods styles

The Swing Era The Development of Jazz, 1930-1945 (The History of Jazz) [Gunther Schuller] on . Here is the book jazz lovers have eagerly awaited, the second volume of Gunther Schuller's monumental emThe History of Jazz/em. When the first volume

 

Product details Series The History of Jazz (Book 2) Paperback 944 pages Publisher Oxford University Press; New Ed edition (December 19, 1991) Language English ISBN-10 0195071409

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